CHEN YI and ZHOU LONG at NOTRE DAME

Program

Zhou Long (b. 1953): Tales from the Nine Bells for clarinet, violin, viola, and piano (2014)

Patrick Yim, violin; Kirsten Docter, viola; John Diodati, clarinet; Shuai Wang, piano

Zhou: Bamboo Grove for solo violin (2023) [world premiere performance]

Patrick Yim, violin

Chen Yi (b. 1953): Xian Shi for viola, percussion, and piano (1982)

Patrick Yim, viola; Paul Vaillancourt, percussion; Shuai Wang, piano

Chen: Suite for Viola and Chamber Winds for viola, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, and percussion (2012)

  1. Lusheng Ensemble
  2. Echoes of the Set Bells
  3. Romance of Hsiao and Ch’in
  4. Flower Drums in Dance

Patrick Yim, solo viola; Paul Hostetter, conductor; Catherine Ramirez, flute; Jennet Ingle, oboe; John Diodati, clarinet; Anna Marsh, bassoon; Matthew Oliphant, horn; Charles Roberts, trumpet; Riley Leitch, trombone; Paul Vaillancourt, percussion

In an exciting collaboration exploring creative dialogues between musical traditions and meaningful transnational sonic encounters, violinist/violist Patrick Yim, Assistant Professor in the Department of Music at Notre Dame, performs music showcasing the creative ingenuity of two of the most celebrated Chinese-American composers active today: Chen Yi and Zhou Long.

The world premiere of Bamboo Grove, a newly composed solo violin work by Pulitzer Prize-winning composer Zhou Long, will be performed by Yim at the concert. The program also includes another masterpiece by Zhou, the haunting, atmospheric Tales from the Nine Bells, a chamber work for violin, viola, clarinet, and piano commissioned by the Chamber Music Society of Lincoln Center and inspired by the Chinese folk legend.

The second half features the viola in two works by Chen Yi, winner of the Charles Ives Living Award from the American Academy of Arts and 2006 Pulitzer Prize Finalist: Xian Shi for viola, percussion, and piano (the first viola concerto by a Chinese composer) and Suite for Viola and Chamber Winds inspired by traditional Chinese instruments.

In a special appearance, Chen Yi and Zhou Long will provide insight into their works from the stage. This performance is complemented by a public lecture with the composers titled “Cultural Confluence in the Music of Chen Yi and Zhou Long” on Monday, April 15, 2024, at noon, in the LaBar Performance Hall, sponsored by the Liu Institute for Asia and Asian Studies and the Department of Music at the University of Notre Dame.

Composers Zhou Long (2011 Pulitzer Prize Winner) and Chen Yi (2006 Pulitzer Prize Finalist) are honored for their music’s masterful integration of Chinese culture. Well-versed in the musical traditions of China and the U.S. — both trained at the elite Central Conservatory of Music in Beijing and Columbia University in New York — Chen and Zhou’s music challenges stereotypes of the affordances of Western instruments and ensembles. Their craft is appreciated around the globe, with their music performed by an illustrious cast of musicians, including the Cleveland Orchestra, the New York Philharmonic, and Yo-Yo Ma.

Notre Dame International’s Global Citizenship Series: April 2024. Article by Mary Hendriksen.

Tales from the Nine Bells: Music of Chen Yi and Zhou Long — Sunday, April 14, 4:00 pm, Leighton Concert Hall

“This concert is a dream project,” says Patrick Yim, assistant professor of violin in the Department of Music, “and not only because of the fame of the composers whose works we will perform. The music to be played—by 12 musicians in total—explores interactions between the musical traditions of East and West. By translating Chinese folk culture, including traditional music, traditional instruments, and legends, into music for the Western instruments and ensembles, Chen and Zhou challenge our understanding of the affordances of these instruments.”

The concert showcases the creative ingenuity of two of the most celebrated Chinese-American composers active today: Chen Yi (2006 Pulitzer Prize Finalist and Charles Ives Living Award) and Zhou Long (2011 Pulitzer Prize winner), both currently on the faculty of the University of Missouri-Kansas City Conservatory.

Chen Yi and Zhou Long’s work is transformative in that they use traditional Chinese culture, such as poetry, folk music, calligraphy, and language, as a starting point for their music.

The concert will open with Zhou’s haunting, atmospheric Tales from the Nine Bells, a chamber work for violin, viola, clarinet, and piano commissioned by the Chamber Music Society of Lincoln Center. The piece is inspired by a Chinese folk legend in which bells ring out untouched by humans. Three musicians will join Yim for a performance of the title piece.

“Percussive piano techniques, glassy string sounds, and a highly expressive clarinet,” writes Zhou in his program notes, “are representative of the wind that carries the ringing of the bells and makes for a delicately colored, gripping work that brings to light the largely unexplored nuances of the instruments.”

Then, Yim will perform the world premiere of Bamboo Grove, a newly composed solo violin work by Zhou.

The concert’s second half features the viola in two works by Chen Yi: Xian Shi for viola, percussion, and piano (the first viola concerto by a Chinese composer) and Suite for Viola and Chamber Winds inspired by traditional Chinese instruments.

Composers Zhou Long and Chen Yi are well-versed in the musical traditions of China and the U.S. Both trained at the elite Central Conservatory of Music in Beijing and Columbia University in New York, with their craft and artistry appreciated around the globe. The Cleveland Orchestra, the New York Philharmonic, and Yo-Yo Ma are just a few of the ensembles/musicians who have performed their works.

In a special appearance at the April 14th concert, Chen Yi and Zhou Long will provide insight into their works from the stage.

READ MORE ON THE DPAC SITE AND PURCHASE TICKETS TO THE CONCERT

The next day, the composers will give a public lecture titled “Cultural Confluence in the Music of Chen Yi and Zhou Long,” Monday, April 15, 2024, at noon, in the LaBar Performance Hall, sponsored by the Liu Institute for Asia and Asian Studies and the Department of Music.

There is an interesting origin story for the Tales from the Nine Bells concert—one, Yim says, that “showcases the power of interconnections at a premier research university like Notre Dame.”

Yim received a Faculty Research Support grant from Notre Dame Research in 2022 for funding to bring the composers and guest musicians to Notre Dame for a week of activities that includes rehearsals with the composers, professionally recording the pieces with Grammy Award-winning producer Jesse Lewis, and performing the public concert on April 14. All events take place at the Leighton Concert Hall at the DPAC, the site of world-class performance facilities. Chen and Zhou will also engage with Notre Dame composition and performance students in a public masterclass on April 12.

“The recording itself is groundbreaking,” explains Yim. “This will be the first time that Tales from the Nine Bells has been recorded, as well as the other three pieces on the program. Because the recording will be made under the supervision of the composers, it should be regarded as an authoritative interpretation of these works—one that will set the standard for all future performances.”

Also of note, in a second grant, this one from Notre Dame International under its Asia Research Collaboration Grant program, Yim was awarded funding to continue his exploration of the dialogues possible between Eastern and Western instruments and musical traditions. In January 2024, the grant supported a performance in Hong Kong with a colleague and a second performance at Notre Dame in February. Watch the performance of CHAN Hing-yan: Autumn Comes for Violin and Sheng. Yim advises that doing so would be an excellent preparation for the April 14th concert.